Lostin70s
2006-09-10 00:37:06 UTC
http://theedge.bostonherald.com/musicNews/view.bg?articleid=156651
Pink Floyd, revisited: Waters doesn't disappoint
By Christopher John Treacy
Saturday, September 9, 2006 - Updated: 01:01 AM EST
No gimmicky light show or practiced cover band can match the majesty of
seeing Roger Waters recreate his visionary work with Pink Floyd. And even
though he's currently touring under the guise of performing the legendary
"Dark Side of The Moon," that's literally only the half of it.
"Dark Side" was originally performed as Act 2 of a Floyd show - exactly
how Waters did it last night before a capacity crowd for the first of two
gigs at Mansfield's Tweeter Center.
For all the anticipation surrounding Act 2, the first set was a much
more compelling display. That's not to knock Floyd's 1973 masterpiece, which
the musically muscled 11-piece band did commendable justice to. But hearing
him lead his troops through crisp renditions of "Have a Cigar," "Sheep" -
during which an inflatable pink pig circled the venue - "Wish You Were
Here," the opener "In the Flesh" and "Shine on You Crazy Diamond (Parts
1-5)," complete with multiple images of the late Syd Barrett flashing across
the video screen, was infinitely more satisfying.
During "Mother," when posing the question, "Should I trust the
government?" the crowd roared, but Waters disapprovingly shook his head as
if to say, "You've missed the point."
But there was no misinterpreting his messages of despair and
disillusionment during the politically charged power-suite of "Southampton
Dock," "The Fletcher Memorial Home" and "Perfect Sense," the latter of which
likens war to an arena sporting event.
"Dark Side" itself was spot-on tight, if not a little predictable. The
hazy melancholy of "Breathe" gave way to "Time," for which drummer Graham
Broad hammered out a thunderous intro.
Waters proudly stood by, grinning while playing bass, letting his band's
amazing talents shine. Dave Kilminster's guitar and vocal work was
particularly notable on "Money," and he cranked out a biting solo during the
instrumental passages following "Us and Them." Ian Ritchie's saxophone added
elegance and warmth throughout, especially during the expansive bridge in
"Set the Controls for the Heart of the Sun."
No, it wasn't Pink Floyd. But for many in attendance, it was close
enough.
Best Regards,Lostin70s
http://www.geocities.com/lostin70s.geo/
Pink Floyd, revisited: Waters doesn't disappoint
By Christopher John Treacy
Saturday, September 9, 2006 - Updated: 01:01 AM EST
No gimmicky light show or practiced cover band can match the majesty of
seeing Roger Waters recreate his visionary work with Pink Floyd. And even
though he's currently touring under the guise of performing the legendary
"Dark Side of The Moon," that's literally only the half of it.
"Dark Side" was originally performed as Act 2 of a Floyd show - exactly
how Waters did it last night before a capacity crowd for the first of two
gigs at Mansfield's Tweeter Center.
For all the anticipation surrounding Act 2, the first set was a much
more compelling display. That's not to knock Floyd's 1973 masterpiece, which
the musically muscled 11-piece band did commendable justice to. But hearing
him lead his troops through crisp renditions of "Have a Cigar," "Sheep" -
during which an inflatable pink pig circled the venue - "Wish You Were
Here," the opener "In the Flesh" and "Shine on You Crazy Diamond (Parts
1-5)," complete with multiple images of the late Syd Barrett flashing across
the video screen, was infinitely more satisfying.
During "Mother," when posing the question, "Should I trust the
government?" the crowd roared, but Waters disapprovingly shook his head as
if to say, "You've missed the point."
But there was no misinterpreting his messages of despair and
disillusionment during the politically charged power-suite of "Southampton
Dock," "The Fletcher Memorial Home" and "Perfect Sense," the latter of which
likens war to an arena sporting event.
"Dark Side" itself was spot-on tight, if not a little predictable. The
hazy melancholy of "Breathe" gave way to "Time," for which drummer Graham
Broad hammered out a thunderous intro.
Waters proudly stood by, grinning while playing bass, letting his band's
amazing talents shine. Dave Kilminster's guitar and vocal work was
particularly notable on "Money," and he cranked out a biting solo during the
instrumental passages following "Us and Them." Ian Ritchie's saxophone added
elegance and warmth throughout, especially during the expansive bridge in
"Set the Controls for the Heart of the Sun."
No, it wasn't Pink Floyd. But for many in attendance, it was close
enough.
Best Regards,Lostin70s
http://www.geocities.com/lostin70s.geo/